- Jim Bottorff's Banjo Page
- TIPS ON CHANGING
KEYS
- AND PLAYING CHORDS
- Return to Home Page
- Return to Beginner's
Items
Go to bottom of this page
- A TIP ON CHANGING
KEYS:
-
- Learning to change keys
on the banjo, guitar, ukulele and other string instruments is
a matter of counting the music alphabet up or back on the neck.
The FINGER PATTERNS for the chords of a particular song stay
the same. Just move the FINGER PATTERNS back and forth
on the neck to change keys. If you are in the key of F, move
everything you are doing up two frets and the sound will come
out as the key of G. You don't play any differently but
the sound changes. This applies to playing accompaniment chords
or chord melody.
-
- The names of the chords
will change depending on the key, but your chord FINGER PATTERNS
will remain the same and not change. The music alphabet for chords
and keys is C_D_EF_G_A_BC etc. There are two frets between
all notes except E to F and B to C, which are one fret apart.
It works best to play movable chord formations where all
4 strings are pressed for each chord. Chords at the nut
can be moved up, but you will need to bar your index finger across
the strings to press any strings that were being played open
on the nut.
-
- Learn the song well in
one key and you should have no problem moving the FINGER PATTERNS
back and forth on the neck to change keys. As you change
keys focus on the FINGER PATTERNS, not the chord names. You can
figure the chord names out later as you play more.
Look at this Eddie Peabody plectrum banjo Lesson #8 on YouTube.
Eddie plays the song "Waiting For The Sunrise"
in the keys of C and F, and the chord FINGER PATTERNS stay the
same. As Eddie says on the video "The fingerings are
exactly the same, all we do is move them up a fret or two".
Click
here for the Eddie Peabody lesson on Youtube
-
- Notice that Eddie has
chosen the keys of C and F in the lesson. With the C tuning
on the plectrum banjo, the 4th string is a C note which can be
left open for both C and F chords. This applies to the
tenor banjo as well. Because of this, many of Eddies' chord
FINGER PATTERNS show holding down only 3 strings as movable chords.
-
- For many simple chords
the 4th string can be used as a "wild card" and used
either open or fretted. If any chord sounds good to your
ear with the open 4th string, then it's probably OK and can add
fullness to the sound of the chord. Use your ear to decide.
"Use the music notation to learn a song and use your ears
to play the song."
-
-
- TIPS ON PLAYING
CHORDS AND INVERSIONS:
-
- Chords can be played in
various ways either at the nut or as movable chord inversions
along the banjo neck. Following is an explanation
of three ways of playing chords on any banjo or other stringed
instrument:
-
- 1. Playing
chords at the nut is called playing "In The Box", your
finger positions stay near the nut and do not move up and down
the neck. The "In The Box" idea can be moved
to anywhere on the banjo neck, with an imaginary nut at any of
the frets. When you move away from the real nut, any open
strings of the chord form must be pressed accordingly at the
imaginary nut location.
-
- 2. "Chord
Inversions" (alternate finger forms for the same chord)
can be played and moved up and down the neck, the chord will
keep the same name at all locations. The finger form changes
for each postion on the neck, but the chord name remains the
same.
-
- 3. If you play
the "Same Finger Form" at another location on the neck,
the chord name will change, but the pattern of your fingers will
stay the same.
-
-
- Click
here for a chart that shows 3 ways to play chords on the neck
of the Plectrum Banjo, C Tuning (pdf file)
- (This chart also
works for the 5-String banjo with C-Tuning)
-
- Click
here for a chart that shows 3 ways to play chords on the neck
of the 5-String Banjo, G Tuning (pdf file)
-
- Click
here for a Video "Three Ways to Play Chords on the Plectrum
Banjo"
-
- Click
here for a chart that shows 3 ways to play chords on the neck
of the Tenor Banjo (pdf file)
-
- Happy strumming,
- Jim Bottorff
-
- Return
to top of this page